Experiment #27: Empty Spaces

It's been hard this week to say goodbye to a handful of people who have shaped my time in India so heavily. With each goodbye, I've felt a little less connected to the present, which feels foreign without so many familiar faces.

First, I bid farewell to Suzanne from Paris. The beautiful lawyer, friend, and quasi-sister taught me so much about self-growth and strength. Seeing how far she has progressed on her own internal journey during these 5 months in an unknown, uncomfortable country, brought tears to my eyes.

The next goodbye was one I had been dreading for weeks. Rebekka from Germany has survived 7 months in India, taking every circumstance as an opportunity for adventure. She is fearless. While I have cried, tried to hide from aspects of this environment that seem scary to deal with, she has dove head first into these elements and the culture. I did not use the kitchen in our home for the first 10 days I was here. Only after she arrived, showing me that the occasional lizard on the ceiling or scurrying spider won't disrupt cooking (that much), did I dare to venture into the dimly lit room.

Amma means mother. Saying goodbye to Amma, my dance instructor for the past 7 months, on Wednesday felt like a rite of passage. Amma is a short, stout woman with hips that could never afford a proper aramandi. But her face is bold and expressive, a reminder of the beautiful Bharatnatyam dancer she once was. My dance lessons with Amma have always been complemented by lessons for life. She has taught me that "it will pain", but we cannot stop and rest every time it hurts, or else our mind and body will never grow stronger. Amma has constantly nagged me to smile. When my forehead wrinkles in concentration as I practice a new dance, or my expression sags in exhaustion as Amma strikes the rapid third-speed beat of of an adavu, or step, Amma barks at me that I am depressing the audience. She has taught me that I cannot just plaster a performance smile on my face and expect anyone to buy it. "Smile from the inside."

But most of all, Amma has always reminded me that, "Dance is a gift, life is a gift. Dance is beautiful, life is beautiful."

The final goodbye of the week made me recollect my experience here, and view it in a more scrutinizing light. Virenbhai, one of the founders of Manav Sadhna, left to spend 6 months in the U.S., as he does every year. At his farewell, he reminded us that our priorities should be our personal journey, the progress of our children, and the progress of our country.

Even though I'm still in Gandhi Ashram, surrounded by the Manav Sadhna spirit, I've found myself thinking about this experience in the past tense. Being present is hard when there are empty spaces left - empty beds in my house, empty seats at prathna each morning, empty blocks of time in my schedule. Rather than filling that emptiness with an appreciation of where I am at this moment, I instead fill it with the memories of what used to be, and the excitement of what is to come.

This seems to be a recurring theme in my life.  I have wasted too much time looking over my shoulder at what has passed, and squinting my eyes to see into the future that has not yet come into focus. With 18 days left here, my goal is to value and experience each moment wholly.

Experiment #26: Bath Time

Yesterday morning, three unkempt, unwashed street children found their way into Manav Sadhna. Upon meeting them and asking their names, it was decided that the three of them deserved - and very much needed - a bath.

I was recruited to bathe the little girl, Preethi. Preethi was dressed in a bright red frock, caked with dust and stained from weeks of continuous wear. Her hair was decorated with fly-away leaves that stuck in her locks, stiff with dirt and sweat.

How to describe the experience of bathing a child? It's difficult to find words to describe the emotions associated with such a simple task.

Preethi's series of expressions may say it all. At first, she was shy, hiding her face behind the tulle frills of her frock. Even she, probably no older than 8 years, was able to comprehend the love and intimacy associated with washing someone else.

But after some coaxing along the lines of, "You are going to look just like a film star," she obliged, scurrying into the bathroom and shedding her clothes quickly into a pile in the corner.

I poured the icy water, refreshing in the stale Ahmedabad heat, over her head. She shut her eyes tightly and shivered comically, shocked by the temperature. Her mouth opened into a smile, reminding me of the way I feel when I bite into cold watermelon in the hot afternoons. It read, "This is just what I needed."

I scrubbed her skinny limbs with a bar of pink soap that she found great joy in rubbing on her face. When I rinsed her off, waves of brown water appeared on the white tile of the bathroom.

After dressing her in a fresh frock from the Manav Sadhna stash and plaiting her hair neatly, I asked Preethi if she'd like to see herself in the mirror.

"No."
"Why not?"
"If I'm clean, I won't be able to go begging."

Her cast her eyes down, showing concern in the way that children do, masked behind innocence and the desire to not add negativity into a situation. I wasn't sure how to respond.

"You look so beautiful."

That was clearly the wrong thing to say. Her eyes shot up to meet mine, carrying a look of great worry.

"Didi, give me 100 rupees, yeah?"
"100 rupees? What for?"
"My mother said I can't come back home until I beg and get 100 rupees."

Again, words eluded me.

"I'm sorry, I don't have 100 rupees to give you."

Both a truth and a mistruth. Street children who beg at the busy intersections always manage to stir up the burning sensation of guilt and helplessness in my gut, when they reach out their empty hands in my direction. One one hand, I want to help them - to give them something to make their childhoods less bleak. But on the other, my time at Manav Sadhna has given me the perspective to realize that giving money to a beggar is not adding value to his life. Instead of empowering him, it will encourage him to seek charity without doing hard work.

For Preethi, I had hoped that giving her a bath and a little bit of loving attention, would be one step in the direction of her future empowerment. But although my intention was to come from a space of love, for the beautiful girl (who really did end up looking like a little movie star), I'm afraid the immediate consequence of her new, clean self, was not to her liking. 

Experiment #25: His Story

It is impossible to look into the eyes of a starving man and eat without offering him to join you.

This idea was shared in a Wednesday meditation a few weeks ago. Human nature dictates that we will do what is in our power to minimize someone’s suffering, if we are aware of his story.

The latter part of that sentence is key. If we are aware of his story. But how often, do we assume that we know someone’s story – his background, his intention, his burdens – based only on a single snapshot of his life that we are exposed to?

Last week, I had the chance to sit with Bharatbhai, a mentor and coordinator for the children taking part in the EKATVA production, and learn about his own journey with Manav Sadhna.

Ten years ago, Bharatbhai took part in EKTA, the first international dance tour arranged by Manav Sadhna, that took fourteen children from the slums around the world. From EKTA, he realized a passion for dance. Today, he is simultaneously working toward his own goal of being a dancer, while sharing his passion with children in the slums.

Before this conversation, my impression of Bharatbhai has been built on superficial encounters and my own observation of how he interacts with his friends, his family and the children he works with.

I’ve noticed he is young at heart, sometimes lacking the maturity I would expect from a teacher. I’ve assumed he can be unreliable, based on his poor punctuality. And I’ve observed his sensitivity in moments of hurt and vulnerability.

But as we sat across from each other in the shade of Gandhi Ashram, my assumptions were thrown back in my face and my ignorance of who Bharatbhai really is, was revealed.

He told me about going to polish shoes with his elder brother as a young child. They could not afford shoes to protect their bare feet against the blistering pavement and dirt roads of Ahmedabad summers. In the mornings, they would dig through piles of rubbish in the slum and find discarded slippers, a mismatched pair for each of them. And in the evenings, before jumping on the bus to return home, they would kick off their secondhand slippers, later sprinting the length of road from the bus stop to their house upon their smarting soles.

He recalled what it was like to be in EKTA while his ailing father, bed-ridden after breaking his hip and suffering from tuberculosis, slowly faded into poorer and poorer health. Weeks before the production was scheduled to leave for America, Bharatbhai’s father passed away.

“That was a terrible day for all of us,” he says, pausing to swallow his tears.

Despite his anger and grief, Bharatbhai still travelled to the U.S., saying it was his father’s wish to see him visit that foreign land.

Now, nearly ten years later, Bharatbhai is experiencing a similarly heartbreaking parallel as EKATVA prepares to tour the globe. For the past months, his mother’s health has been deteriorating. He has watched as high blood pressure and diabetes have worn her down and filled their tiny home with worry.

“If something happens to Mummy, I don’t know what we will do,” he says, again choking up. “After Pappa died, she held us together.”

As the EKATVA journey is reaching a climax of preparation, his mind is always at home, anxious that he his helpless to relieve his mother’s illness.

I watched in silence as Bharatbhai fiddled with the ring on his pinky, trying to find the right words to continue.

In that moment, what I had perceived to be immaturity, re-appeared as an effort to relive a childhood heavy with sorrow. His lack of reliability was instead framed as the behavior of a man with many obligations, subtle but burdensome. And his sensitivity shined in a personality that had been forced to fight and watch things slip out of his grip.

Experiment #24: The Final Wicket

The time is 18:55. Crossing Subhas Bridge Circle.

On any normal day, this is nearly impossible. With the non-stop stream of honking buses, rickshaws and motorbikes, we are lucky to make it across with just a few hairs shaved off our arms rather than a few years shaved off our lives.

But this particular Wednesday, I could have lied down in the middle of the road and meditated.

The usually bustling pani puri vendors at the corner had closed up early. The vegetable market at the corner was eerily stagnant.

Everyone in Ahmedabad was glued to the television. The city (and probably the entire subcontinent) had more or less shut down for the cricket match of the decade. India vs. Pakistan.

I went through various chapters of fair-weather fandom while growing up, each time committing my temporary loyalty to a team whose name appeared in headlines and schoolyard discussion that month. But I’ve never understood the passion which real sports fans pledge to their teams.

I’ve never experienced the angst of uncertainty while an umpire’s decision is pending. Or the deep-rooted disappointed of watching my team’s players flounder. Or the unchecked thrill of winning a critical match.

Until this week.

With Pakistan at bat, 28 balls and 30 runs stood between India and a place in the Cricket World Cup Finals. It looked good for India, but victory wasn’t locked in yet.

As the bowler wound up for each ball, everyone in the room watched the screen unblinkingly, the tension thick.

Not a six. Not a six. Not a six.

If the sentiment at that moment can be summed up in three words (and I assure you, it cannot), that is it. Not a six.

(For those of you illiterate in cricket terminology, a six is the cricket equivalent of a home run.)

With each successive ball, we allowed ourselves to breath a little easier, trying not to celebrate too early.

And then, with two balls to go, and no hope left for Pakistan, the final wicket fell. After a split second of silence, the city erupted.

I don’t mean that figuratively.

The roads that had been whisper-quiet just minutes before were filled with dancing children, shouting men and entire families sharing celebratory hugs and tears. Fireworks peppered the streets non-stop. The beating of drums and metal spoons against cookware created the backdrop for the unforgettable night.

Myself and a dozen other Manav Sadhna volunteers and staff piled onto the roof of the Manav Sadhna car to drive through Ahmedabad and congratulate our fellow Indians. Spirits were so high that even Suzanne from France and Jeanne from Holland became Indian for those few hours, touched by the celebrating masses.

Bharat Mataji ki…Jai! Hail Mother India!

India vs. Pakistan can assume many meanings. Hindu-Muslim tensions. The nuclearization of the sub-continent. The dispute over Kashmir.

The political and religious conflicts between these two countries have manifested themselves in ugly ways. People have been persecuted, killed, and made to live on opposite sides of boundaries – both real and imagined. So when the players from their respective cricket teams met in Mohali Stadium last week, Indians and Pakistanis had much more invested in the match than ordinary sporting bets.

It was a bloodless, refereed opportunity to settle the score of many decades, while the entire world watched from their living room.

Even I, with a cricket knowledge limited to what I learned from Aamir Khan in the movie Lagaan, felt ecstatic in those post-victory moments, simply from the realization of how many millions of people had their hopes pinned on those men in the sky blue India uniforms.

I was so proud.

And yesterday, as I watched India beat Sri Lanka by six wickets to win the World Cup, even after suffering through several distressing overs early on, I too jumped up and down like a cricket fanatic.

After nearly six months in this beautiful and vibrant country, I can assure you this is one team I will not be cheering for only in fair weather. Especially since the 100+ degree April temperatures are anything but fair.